“The Boys” would not be the head-popping collection it’s with out its many sudden twists and turns. Amid all of the explosive chaos taking place in season three, which premiered on June 3, episode 5 lastly offers viewers a small break from the present’s gore and grossness — shockingly sufficient, with a full musical second from Kimiko (Karen Fukuhara) and Frenchie (Tomer Kapon).
“I felt like I used to be on a unique present filming the musical quantity.”
Fukuhara tells POPSUGAR she nearly could not imagine she obtained the prospect to movie such a lighthearted scene for the action-packed collection, as her Supe character is sort of all the time lined in blood (and another person’s guts). “I felt like I used to be on a unique present filming the musical quantity as a result of normally Kimiko is roofed in blood or mud and he or she’s barefoot and crawling across the practice tracks and every little thing,” she says. “That entire sequence was actually particular to me, not solely as a result of she obtained to smile for the primary time and stay her dream, however there’s additionally one thing actually particular about how [showrunner] Eric Kripke had informed me that he all the time wished to place a musical quantity in one among his reveals, and it has been a dream of his, so attending to be the character that does that for him was additionally such an honor.”
To arrange for her “actually difficult” musical quantity, Fukuhara says she listened to “I Received Rhythm” (sung by Judy Garland) on repeat by your complete rehearsal course of and filming. “I used to be actually banging it into my head,” she says. “I generally went to sleep with it on, after which I might think about it whereas I will sleep, which sounds loopy, and it drove me insane. However as soon as we had been achieved taking pictures [the scene], I used to be like, ‘Alright, no extra. Thank God we do not have to take heed to that once more.’ That track was on replay for a really very long time.”
Fukuhara’s particular scene in “The Boys” presents a pleasant change of tempo for the thrilling superhero parody, nevertheless it’s not a full distraction from this season’s essential plot. Season three of “The Boys” ushers in a new antihero named Soldier Boy (performed by Jensen Ackles), the first-ever Supe who fashions after a raunchier model of Captain America. His origin story with Payback — the unique tremendous staff — takes us again to the very starting, earlier than Vought turned a megacorporation, nevertheless it additionally reveals how corruption amongst the Supes has been an issue lengthy earlier than the Boys (together with Kimiko) tried to take down the group.
“The theme is: what’s going to you do with the ability that you’ve?”
“The Boys” has all the time been a few struggle for energy, however Fukuhara says that this season focuses on what occurs when energy falls into the incorrect palms. “For lots of the characters on our present, together with Homelander and Kimiko, the theme is: what’s going to you do with the ability that you’ve? Whether or not it is a superpower, the political affect that you’ve, or simply the ability you could have over one other human being — whether or not you employ it for good or unhealthy,” she notes.
“. . . in season three, you lastly get to see her battle with the violence and monster that she’s change into.
In Kimiko’s case, she by no means wished to have superpowers. As the results of a Compound V supervillain experiment, her Supe destiny was determined for her lengthy earlier than she even had a say-so. “It was form of pressured upon her, and it was by no means her alternative to make use of it for both good or unhealthy,” Fukuhara says of her character’s powers. “She was simply making an attempt to outlive, and in season three, you lastly get to see her battle with the violence and monster that she’s change into. As soon as she loses her powers, she realizes that it is as much as her how she makes use of [them], and he or she would not should be this monster. She has to reclaim them — reclaim her powers, use them for good, and in the way in which that she desires to.”
An enormous a part of Kimiko’s musical scene is the concept of escapism, as she makes an attempt to mentally run away from what she fears most about herself. Fukuhara confirms that her character’s largest discovery in season three might be whether or not she truly wants her powers to outlive. Whereas she stays with out them in the interim, Kimiko will resolve if she’s prepared to depart her powers behind, or succumb to the violent life that was chosen for her.
New episodes of “The Boys” stream on Fridays on Prime Video.