Artist Matthew Day Jackson Joins Tempo Gallery After Over a Decade at Hauser & Wirth

Artist Matthew Day Jackson is switching mega-galleries. After greater than a decade at Hauser & Wirth, he’s now set to be proven globally by Pace Gallery, which is able to signify him alongside Grimm Gallery, Tempo introduced on Tuesday.

It’s uncommon, though not totally unparalleled, for artists to hop between mega-galleries. Jeff Koons left David Zwirner and Gagosian for Tempo final 12 months. In the meantime, earlier this 12 months, Harold Ancart departed Zwirner for Gagosian.

“I’m excited to start out a brand new chapter in my profession with folks I’ve been pals with for a very long time,” Jackson stated in an announcement. “I’m excited to share my work in an excellent context and inside a historical past of among the world’s biggest artists.”

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The explanations fluctuate considerably for why artists go away mega-galleries, and it wasn’t instantly clear what had precipitated Jackson to defect from Hauser & Wirth, which has represented him since 2010 and offered a few of his most generally seen exhibitions.

Marc Payot, president of Hauser & Wirth, stated in an e mail to ARTnews, “Tempo will likely be match for Matthew. We want him all the perfect within the subsequent chapter of his profession.”

Tempo is planning to point out Jackson’s work on the inaugural version of the Frieze Seoul honest this September. A solo present for Jackson will comply with at Tempo’s New York gallery in 2023.

Jackson’s work has taken the type of grand work sequence, sculptures, installations, and extra that evoke a queasy combination of wonderment and disgust. Their focus is commonly the pure world, the chic, and what it means to really be alive. His works have ranged from sculptures of flayed skins in vitrines to pictures by which he photos himself as if he have been lifeless.

His artwork has provoked sturdy reactions from critics. In 2013, New York Journal critic Jerry Saltz wrote of a present at Hauser & Wirth, “This dolefully atrocious present seems like a relic from 2004, when Damien Hirst was within the remaining stage of transferring from truculence into blowsy bathos.” Saltz claimed that the artist had fallen prey to the bigger-is-better ethos of mega-galleries.

Regardless of this, many within the higher echelons of the artwork market have taken to his artwork. In 2010, the New York Occasions reported that Laurence Graff, who ranks on the ARTnews Prime 200 Collectors record, had paid greater than $928,000 at public sale for a portray by Jackson, eclipsing the work’s excessive estimate greater than 15 instances over. Collector François Pinault was additionally reported to have purchased Jackson’s work.

Marc Glimcher, president and CEO of Tempo Gallery, stated in an announcement, “I’ve at all times been struck by his engagement with historic, philosophical, and pop cultural topics—Matt can take an enormous thought and provides it new emotional and private resonance. Via his multidisciplinary follow, Matt has confirmed himself to be one of the crucial versatile and virtuosic artists of his era.”

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